tbh like i said in my last ask it’s pretty hard to tell LMFAO. wxs is the great splay of unpredictability. in my head the way its playing out rn is: we get asahi back from super hell, we get sakaki’s grand overseas trip plan, asahi either tags along or goes off on his own for the foreseeable future. then it gets weird bc it’d really depend on what sakaki’s overseas plans entail, bc depending on what it is there’s a very large chance it’s just training arc…..Again. but i think the important thing for them to cover here is the scope of the “world” which i do think is part of what tobidase was trying to cover beyond the doppelganger nonsense. it does make me sad we’ve still never gotten an event about set design or really. what goes into a show. At All. because shocker: theater isn’t just get the role and act the role really hard until it’s time to act the role for real. was so glad deeper & deeper covered writing. because how did we go that long with only a single side story to attest to our script writing side of things. idk im generally always disappointed with wondasho’s representation of theater LMFAO. but the floor is widdeeeee open for these guys. they can go anywhere or do anything